Quote:

How can the church reach post-Boomers? Not by emphasizing biblical truth, says Biola exhibit Fifty years ago, Richard Niebuhr famously identified five different beliefs Christians hold about engaging culture. Now, it seems, two Southern California professors are creating a new Christ and Culture for the postmodern age. And a lot of Christians aren't going to like it. Biola University sociologist Richard Flory and University of Southern California religion professor Don Miller are the creators of "Recovery of Ritual," a new exhibit at Biola that, according to the Los Angeles Times, "explores challenges that churches face in attracting younger worshipers." Four categories are depicted: Reactors, which use "nostalgic efforts that focus on the recovery of reason, seeking to roll back the clock on our postmodern culture;" Imitators, who "hijack portions of popular culture and inject a Christian message;" Reappropriators, who thirst for orthodoxy and are transfixed by the smells and bells of liturgical churches; and Innovators, who want to reinvent the church and focus on "intimate community." Of these, the Times reports, only the Reactors are treated with derision. "The centerpiece of this section is a small television that shows talking-head shots of academics and pastors defending Christianity through the use of Scripture," reports William Lobdell. "On the wall are political cartoons from the 1920s, magazines from the 1950s and current books, all giving the same message: The only hope for Christianity against modern culture is hammering away at biblical truths." And around the TV in an endless loop, Lobdell notes, "is a small electric train with 'Facts' as its engine, 'Faith' as the second car, and 'Feeling' as the caboose." The Times doesn't note it, but this metaphor was made famous through Campus Crusade's "Four Spiritual Laws," which may be one of the "outdated tracts or pamphlets on how to become a Christian" that's noted in the exhibit. Since this exhibit is at a traditionally conservative Christian school, expect a reaction from some "Reactors" who won't be pleased with such disdain for "hammering away at biblical truths." The modern gospel of "relevancy" has come under criticism from some of the most prominent post-boomer evangelicals (though "authenticity" is still as broadly embraced as the Times suggests). Nevertheless, using popular culture seems to be seen as a shortcut for reaching "these kids today." Witness, for example, Crescent Heights United Methodist Church in West Hollywood. The church has a Broadway tune sing-along that brings in 40 people a week. "The music people love, to my mind, is sacred," Pastor John Griffin told The New York Times in Sunday's edition. "I don't see music divided into sacred and secular. If it touches people, or lifts people, that's sacred." But will tunes from "Oklahoma!" and "La Cage aux Folles" keep the seats filled? Maybe and maybe not. Check out another piece in the Los Angeles Times: In September of 1992, [Mark] Tomaino was a 31-year-old evangelical Christian who was questioning his faith and had resigned as lay leader of the singles ministry at the former Melodyland Christian Center in Anaheim. When a friend from an Internet bulletin board announced that she was attending The Rocky Horror Picture Show one evening, Tomaino caught [amateur theater troupe] Midnight Insanity's extravaganza at the Art Theatre. Tomaino attended the next week's show, volunteered for the troupe and never looked back. But it wasn't the film that got him, he says. "When I missed church for a few weeks, nobody would call," he tells the Times. "But if you missed anything at Rocky, somebody calls and asks if you're OK." Midnight Insanity even has a crisis hotline. "We've had calls from people who are at the end of their rope and wouldn't call a regular hotline," Tomaino says. "We're not trying to rush [them] to the hospital. We [tell them] we care, and to say 'hi' at next Saturday's [Rocky Horror] show. Then they have something to look forward to." Expect quite a few folks in the Innovators group to clip and save that story as evidence that a church emphasis on community is the answer to a postmodern world.

http://ctlibrary.com/7367

Today, Christafari manages still to make their following believe that christafari are "missionairies preaching the gospel".

Their methods are classic, according to BIOLA where Mark Christafari had his "biblically sound education". This is one of the classics in the BIOLA exhibition, that of the "Imitator".


Quote:

Imitators, who "hijack portions of popular culture and inject a Christian message;"

In interviews, Mark Mohr speaks about the reason why he went to BIOLA.


Quote:

"The best advice I was ever given was to go to Bible College so I could be theologically and doctrinally sound,"

CLICK TO VERIFY

But when you check this "gospel", it's two different ones:

The first one is that you got to change from being a Conscious man praising JAH HEADOFCREATION into a babylonian. Just look for example at the "Ex-Rasta stars" on Lion Of Zion. they all trimmed their dreads of, and are now ballheads. In fact, christafari only accepts "dreads" when they are fashion dreads.. In all other cases they're labeled as pagans or deceivers.

"god", ofcourse, is a term. Like king, or president. And it has a pagan origin. Christafari's message is that when you praise the NAME of JAH you can only do it to reach people who also praise the NAME of JAH, but in reality you want to give them the message they should no longer call upon the Most High by His Name but ionstead start to speak abvout some spirit called "god" who teaches you to "obey authorities".

Christafari's second gospel is more simple. It's "buy my music. Become a fan and get hooked to our created culture. Let's plug the gap in the industry".

Now, when christafari starts to "respond" to all of this, it's allways the same. They give lecture or sermon or rant on the need to preach the Gospel.

They just don't tell their listeners how they have TWO gospels. And none of them is the real one.

LINKS

READ